Auditions

Misery

Written By William Goldman
Based on the novel by Stephen King

Directed by Ryan Miles

Performance Dates:

Fridays - Sundays

February 7 - 22

7:30pm Fridays and Saturdays

2:30pm Sunday (February 16)

SYNOPSIS

Misery follows successful romance novelist Paul Sheldon, who is rescued from a car crash by his “number one fan,” Annie Wilkes, and wakes up captive in her secluded home. While Paul is convalescing, Annie reads his latest book and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Annie forces Paul to write a new Misery novel, and he quickly realizes Annie has no intention of letting him go anywhere. The irate Annie has Paul writing as if his life depends on it, and it does.

ROLES

ANNIE WILKES (Female Presenting, 40s – 60s) A nurse who comes to Paul’s rescue (seemingly), Annie seems to be a kind, tender woman who cares deeply for Paul, even if she does seem slightly off. As Paul grows to know her it becomes clearer that Annie is manipulative, cunning, and hides a deep set and terrifying malice behind her cheery simple facade.

*Shares non-kissing intimate moments with Paul
*Participates and witnesses stage combat

PAUL SHELDON (Male Presenting, 40s – 60s) A famed romance novelist tired of the series that has brought him the most acclaim. Returning from a retreat to finish his most recent work, he is involved in a terrible car crash that leaves him with broken legs and unable to care for himself. He’s thoughtful, if not a touch arrogant, and extremely crafty. He quickly realizes how dangerous his situation is and must use anything and everything at his disposal to survive.

*Shares non-kissing intimate moments with Annie
*Participates and witnesses stage combat

BUSTER (Male Presenting, 30s – 40s) The Sheriff of a nearby town searching for Paul. Very friendly with possible hopes of something more with Annie.

*Participates and witnesses stage combat

Auditions will consist of provided acting sides provided.

Lee Street Theatre is a volunteer-based community theatre in Salisbury, NC. We value and support the time and talent of all of our volunteer performers.

** PLEASE NOTE, IF YOU ARE A CATAWBA COLLEGE THEATRE ARTS STUDENT WISHING TO AUDITION, PLEASE SUBMIT YOUR PERFORMANCE RIDER FOR APPROVAL IN ADVANCE OF YOUR AUDITION, PER DEPARTMENTAL POLICY.

If you have any questions or wish for more information, please reach out to director Ryan Miles at Rpmiles93@gmail.com

AGATHA CHRISTIE'S WITNESS FOR THE PROSECUTION

Written by Wiritten by Agatha Christie

Directed by Raquel Oden

Performance Dates:

Fridays - Sundays

March 7 - 22

7:30pm Fridays and Saturdays

2:30pm Sunday (March 16)

SYNOPSIS

Leonard Vole stands accused of murdering a rich widow. The stakes are high with shocking witness testimony, impassioned outbursts from the dock, and a young man’s fight to escape the hangman’s noose.

ROLES (all roles list playable age range, with double casting noted)

LEONARD VOLE (male presenting, 20-30s) - Young man at the center of the drama who is accused of murdering his older female friend, Emily French. He claims he is innocent and naively does not understand how he could be in the frame for murder. Vehemently protests his innocence and is devoted to his “wife” Romaine. A very challenging role. We are looking for an actor who has the ability to play different sides of Leonard: the innocent, the betrayed, and ultimately, the hustler. Lower-class English accent. 

ROMAINE (female presenting, 20s-30s) - Described in the script as “a foreign woman of great personality, but very quiet. Her voice has a strangely ironic inflection.” This actress must be able to play multiple accents/character traits. Romaine is Leonard’s devoted wife. A foreigner, she paints the picture of a devious past and turns Leonard’s life upside down. She is mysterious and manipulative while she spews her own version of what happened on the night of the murder. Eastern European accent that can be fairly indiscriminate and a cockney accent.

JOHN MAYHEW (male presenting, 30s-50s) - Described in the script as “a typical middle-aged solicitor.” Representing Leonard, Mayhew comes across as shrewd and serious. As someone who works strictly by the book, he is forced to deal with one surprise after another. As the case takes on a life of its own, Mayhew forges ahead in his targeted defense of Leonard.

SIR WILFRED ROBARTS, QC (Queen’s Counsel) (male presenting, 30s-60s) - Convinced by Mayhew to take on Leonard’s case, Robarts becomes embroiled in an unexpected twist. Very serious in his role of ensuring the accused is found guilty.

GRETA (female presenting, late teens-30s) - She is described in the script as “an adenoidal girl with a good opinion of herself.” Robarts’ typist is lightheaded but confident. She is so obviously self-assured, in fact, that she can’t seem to find anything wrong with someone who is being accused of murder. 

CARTER (male presenting, 20s-50s) (This actor may double Mr. Justice Wainwright, the Judge.) - Carter is the chief clerk for Sir Wilfred Robarts, QC, a hard worker and conscientious.

INSPECTOR HEARNE (male presenting, 30s-50s) (Will also play the Act 3 Policeman) - Hearne is described in the script as “a tall, good-looking officer.” Formal and a bit rough and gruff.

MYERS, Q.C. (male presenting, 30s-50s) - Myers calls Robarts “Row-barts,” much to his dismay. Straitlaced and on top of the facts, the prosecutor in the case against Leonard tries desperately to prove his guilt.

JANET MACKENZIE (female presenting, 30s-60s) - The script says “She is a tall, dour-looking Scotswoman. Her face is set in a grim line.” The suspicious and vengeful housekeeper with a sour personality is expected to be the beneficiary of Emily’s will before Leonard comes into the picture.

WYATT (male, 20s-60s) - Unflappable and determined, the “police surgeon” reports unemotionally on the physical details of the murder.

JUSTICE WAINWRIGHT (Called JUDGE in text of script) (male presenting, 20s-60s) - Even-tempered and professional, Justice Wainwright rules the courtroom with authority and confidence.

THOMAS CLEGG (male presenting, 20s-60s) - Witness expert. 

THE OTHER WOMAN (female presenting, late teens-20s) (GIRL in text of script) - Described in the script as “young, strawberry blonde and has a crude, obvious appeal. Only present at the very end of the play. The actor will most likely also be placed in the courtroom. Nonetheless an important and pivotal role. Lower-class English accent.

Various Non-Speaking Roles
Prison guards/plain cloth detective/court staff/stenographer/Court clerk and Judge’s clerk/other barristers and solicitors.  Essential ensemble who help create the tone, interact with audience and character throughout the play.

Auditions will consist of provided acting sides provided.

Lee Street Theatre is a volunteer-based community theatre in Salisbury, NC. We value and support the time and talent of all of our volunteer performers.

** PLEASE NOTE, IF YOU ARE A CATAWBA COLLEGE THEATRE ARTS STUDENT WISHING TO AUDITION, PLEASE SUBMIT YOUR PERFORMANCE RIDER FOR APPROVAL IN ADVANCE OF YOUR AUDITION, PER DEPARTMENTAL POLICY.

If you have any questions or wish for more information, please reach out to director Raquel Oden at rjackmond@gmail.com

The 39 Steps

Adaptred by Patrick Barlow

From the novel by John Buchan

Directed by Eric Seale

Performance Dates:

Fridays - Sundays

April 18 - May 3

7:30pm Fridays and Saturdays

2:30pm Sunday (April 27)

SYNOPSIS

In The 39 Steps, a man with a boring life meets a woman with a thick accent who says she’s a spy. When he takes her home, she is murdered. Soon, a mysterious organization called “The 39 Steps” is hot on the man’s trail in a nationwide manhunt that climaxes in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, The 39 Steps amounts to an unforgettable evening of pure pleasure! 

ROLES

Richard Hannay (Male Presenting, 20’s - 40’s) - One half of the leading duo of the leading duo who possesses the Hitchcock-esque suave, dashing, debonaire qualities. He is an artistic soul, a rebel, and an everyman capable of unlocking a secret heart filled with will and determination, cunning and vulnerability. Actor must be an adept physical comedian, a great listener and responder, and ensemble member.

Annabella/Pamela/Margaret (Female Presenting, 20’s - 30’s) - One half of the leading duo who possesses physical, emotional, and comedic prowess. Actor will play all three roles below, with the possibility of stepping into a clown role or two.

• Annabella: a brilliant but marked Russian woman who is on the run from spies and killed at their hand. Russian accent preferred.

• Pamela: a quintessential Hitchcock-esqe leading lady. She is bold, emotionally, and intellectually intelligent, powerful, and fashionable. English accent required.

• Margaret: a small-town farm worker married off to a cruel man; she is eager to see the world, to help Richard out when he stumbles upon her farm and is willing to risk the consequences from her abusive husband in following her heart and gut. Scottish accent required.

Clown #1 & Clown #2 (Open, Any Age) -  Vivacious, debonair, and with substantial authority, the clowns expertly execute 150+ roles with Olympian prowess and skillful comedic timing. Actors shouldn't feel tied to one track as implied by more “traditional” casting, nor to gender identity of any of the clown roles. Versatility with European accents is essential. Must be able to lift certain set pieces and move adroitly throughout stage and between roles. 

Auditions will consist of provided acting sides provided..

Lee Street Theatre is a volunteer-based community theatre in Salisbury, NC. We value and support the time and talent of all of our volunteer performers.

** PLEASE NOTE, IF YOU ARE A CATAWBA COLLEGE THEATRE ARTS STUDENT WISHING TO AUDITION, PLEASE SUBMIT YOUR PERFORMANCE RIDER FOR APPROVAL IN ADVANCE OF YOUR AUDITION, PER DEPARTMENTAL POLICY.

If you have any questions or wish for more information, please reach out to director Eric Seale at eric@hickorytheatre.org

DISENCHANTED! A New Musical Comedy

Book, Music and Lyrics by Dennis T. Giacino

Directed by Rod Oden

Music Directed by Vicki Harvell

Performance Dates:

Fridays - Sundays

July 11 - 26

7:30pm Fridays and Saturdays

2:30pm Sunday (July 20)

SYNOPSIS

Poisoned apples. Glass slippers. Who needs ’em?
Not Snow White and her posse of disenchanted princesses in the hilarious hit musical that’s anything but Grimm. The original storybook heroines are none-too-happy with the way they’ve been portrayed in today’s pop culture so they’ve tossed their tiaras and have come to life to set the record straight. Forget the princesses you think you know – these royal renegades are here to comically belt out the truth. Received an “Outstanding Off-Broadway Musical” nomination (Outer Critics Circle Awards) and a “Best New Off-Broadway Musical” nomination (Off Broadway Alliance). Contains adult language and content.

ROLES - PLEASE NOTE:  This show celebrates and represents diversity (ethnically, shape, size, etc.), Inclusive and diverse casting will be a focus and noted specifically where required.

SNOW WHITE (Female Presenting, 30s - Late 40s, Vocal Range: Soprano A3 - C6)  - Brassy and self-assured. The leader of the princess pack who likes to be in control. Also has a loving, maternal instinct. Aspires to be perfect, but she soon realizes that being perfectly ‘you’ is more important.

CINDERELLA (Female Presenting, 30s - Late 40s, Vocal Range: Mezzo/Soprano A3 - A5) - Perky, quirky, and impish. She’s always enthusiastic, especially when it comes to being a real life princess, but is about to discover that there’s more to being a princess than pretty gowns and shiny glass slippers.

SLEEPING BEAUTY (Female Presenting, 30s - Late 40s, Mezzo/Soprano EB3 - A5) - The perfect comic foil to Snow White. Always the flippant and unpredictable cut-up. She loves to dance (sometimes uncontrollably) and is a fantastic physical comedienne. She enjoys being perfectly and uniquely herself. 

BELLE (Female Presenting, 30s - Late 40s, Vocal Range: Mezzo G3 - F#5) - A smart and witty bookworm from classic French lit who inexplicably speaks and sings with an American accent. She chats with inanimate objects, cleans up after her beast of a husband … and it’s slowly driving her insane. 

HUA MULAN (Female Presenting, 30s - Late 40s, Vocal range: Mezzo/Soprano G3 - A5, Representative Ethnic Casting Required POC) - A legendary folk hero of Asian descent from the poem The Ballad of Mulan. She has a goodnatured sense of humor while maintaining a respect for her culture. She is excited to come out onstage and, through her heartfelt story, reveal her true self.

THE LITTLE MERMAID (Female Presenting, 30s - Late 40s, Mezzo F3 - E5) - Once innocent and obedient, she’s now rowdy and rebellious. Having regretfully given up her seemingly idyllic life under the sea, she copes with her new reality through inappropriate yet hilarious comedy. She is the life of the party!

POCAHONTAS (Female Presenting, 30s - Late 40s, Vocal range: Mezzo/Soprano G3 - A5, Representative Ethnic Casting Required POC) - Plucky, valiant. She has been homogenized by an entertainment industry willing to distort her true Native-American story just to sell cinema tickets. As she comically mocks her glammed up portrayal in Hollywood cartoons, she is on a journey to restore her authentic, historical self.

THE PRINCESS WHO KISSED THE FROG (Female Presenting, 30s - Late 40s, Vocal Range:Mezzo F#3 - F#5, Representative Ethnic Casting Required POC) - Having been left out of the kingdom for decades, this Black princess is here to claim her throne and celebrate inclusivity and diversity in fairy tales. Confident; clever with a turn of phrase, loves a funny pop culture reference. Wonderfully witty; joyous.

RAPUNZEL - (Female Presenting, 30s - Late 40s, Vocal Range: Contralto C2 - D5) - American capitalism won’t turn this campy, Mel Brooksian songstress into a damsel in distress. Nein! Brunehildesque, strong, and fun-loving, she’s bent on getting her fair share from those who make bank off fairy tale princesses.

PRINCESS BADROULBADOUR (Female Presenting, 30s - Late 40s, Vocal range: Mezzo/Soprano G3 - A5, Representative Ethnic Casting Required POC) - Originally from the South-Asian-turned-Middle-Eastern Aladdin sagas, this sultan’s daughter has had enough of being secondary in her own tale. Misogyny begone! It’s a whole new world and this independent and puckish princess is taking her story back!

Auditions will consist of music and acting. Acting will be auditioned using provided sides. Music Audition will consist of provided cut of music to sing for. Materials will be provided and emailed out after you sign up.

Lee Street Theatre is a volunteer-based community theatre in Salisbury, NC. We value and support the time and talent of all of our volunteer performers.

** PLEASE NOTE, IF YOU ARE A CATAWBA COLLEGE THEATRE ARTS STUDENT WISHING TO AUDITION, PLEASE SUBMIT YOUR PERFORMANCE RIDER FOR APPROVAL IN ADVANCE OF YOUR AUDITION, PER DEPARTMENTAL POLICY.

If you have any questions or wish for more information, please reach out to director Rod Oden at rod@leestreet.org